It’s around 3 a.m. on the Barcelona waterfront, and Karl Hyde of Underworld is jubilant. He’s singing and bopping across the Primavera Sound stage while tens of thousands of fans watch him wrap up a full-album performance of his group’s 1994 techno classic “dubnobasswithmyheadman.” Though he spent much of the set behind a wall of synths and samplers re-creating his album’s analog thump, right now his performance is all human, just shouting vocals with plenty of room to move.
On the last full night of Primavera, that’s just about how everyone felt.
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